Horror Review

May

Writer/Director: Lucky McKee | Released: 2002 | Rated: R

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I first saw May shortly after it was released in 2002 and was immediately struck then (as I am again and again when rewatching it) by the intimacy of the film; a viewing element especially intriguing because the entire film is about the struggles of intimacy. It's these "struggles of intimacy" the timid and adorkable (can I say that?) May, a talented veterinarian assistant by day and exquisitely talented seamstress by night, experiences as she embarks on her first attempt in the dating field.

After growing up in an emotionally stifling household and with a superbly creepy doll as her only friend, May is now a young woman and a walking talking example of bumbling attempts at relationships. She is unintentionally hilarious and you’ll happily soak in the Schadenfreude fun. However, things begin to turn sour as the remaining semblance of her healthy intercommunication buttons begin to malfunction...

In conjunction with May’s badass designing skills, so is the film’s badass acting, writing, cinematography, score, and super smart development of the story’s explorations into the wonders of the heart and mind. In short, I simply cannot express in enough words or ways how much I love this film [blushes, fumbles, drops May fan letter into a puddle, pushes glasses back up], but I’m going to keep trying anyway [bites lip].

May is a wonderfully morbid comedy that sneaks into a classic horror spin of the serious, and an honest look into loneliness, frustration, and heartbreak. This film is dingy, clingy, shiny, grimy, sweet, sour, and basically has so many visual and emotional textures you just might need a great big hug or a long hot shower afterwards (or both).


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Bring on the Cringe Binge!

May is a stellar film and one sure to be enjoyed by horror fans who appreciate goretastic dark humor stitched together nicely with serious subject matter. I give a standing ovation and awkward, but excited wave to all who helped to create this wonderful work of art.

This film pairs with the smell of freshly cut fabric, stale cigarette smoke, a popular perfume or cologne from the ‘90s that you still love you but feel you can’t tell anyone about, a couple of brewskies, and your favorite dessert.

Check out the official trailer for May.


Jolie lives in Seattle with her artist husband, two cats, and created her blog, Horror Habit, to keep her out of trouble (which has sorta worked). @HorrorHabitBlog

Savageland

Savageland

Legions of filmmakers working today would love to make a feature horror piece rife with political relevance, originality, poignancy, and, to top it off, something that is *actually* scary. Luckily for we viewers, Phil Guidry, Simon Herbert, and David Whelan managed to do just that. Welcome to Savageland, a place you’ve probably been before if you followed the 2016 US Presidential election (or really if you spend any time watching the news these days).

III - The Ritual

Director: Pavel Khvaleev | Writers: Aleksandra Khvaleev, Oleg Mustafin, & Evgenia Mustafin | Release Date: October 2015 | Rating: No MPAA (German/Russian film)

The human mind can be a freaky place to explore. Just ask poor Ayia. She gets a first class ticket to poke around inside her sister’s subconscious and finds it to be a place of torment and agony. Not exactly an ideal vacation spot. But Ayia isn’t visiting for fun. She’s there on a life or death mission. Ayia and Mirra are sisters living in a desolate and tiny European town. A pandemic strikes the little hamlet and claims the life of their mother. Sadly, it’s not long before Mirra also becomes sick from the completely debilitating illness. Ayia turns to their close family friend (and priest) Father Herman for help. Herman reveals that such an illness needs a supernatural solution when traditional medicine falls short. Possessing shamanic books and knowledge, he teaches Ayia how to enter into her sister’s troubled mind. By getting into the nasty, nitty-gritty of the subconscious, Ayia should be able to see what issues are holding Mirra captive in her own brain. Such a journey can only take place between two people who share a deep bond. Bravely, Ayia accepts the challenge in order to save her sister.

Now, this is a horror film. So...as I hinted above, some pretty weird and scary things are going down in Mirra’s subconscious. A movie such as this must rely heavily on visuals. Musty, dreamy, sepia tones transport the audience to this sad and depressing place. Mirra’s world can be described in one word, HELLISH. Fans of Tarsem Singh’s 2000 thriller, The Cell, will feel right at home here. Besides being striking feasts for the eyes, these two films even share the concept of entering the depths of someone’s mind. I like this device. After all, what’s more frightening than what a person is capable of imaging? It leads to endless possibilities. Especially when it comes to symbolically hiding behind their fears and traumas.

As you probably noticed, this is a German/Russian made film. You’re going to have to read subtitles unless you speak Russian. Subtitles are fine by me. In fact, I prefer them over being subjected to sucky dubbing. Actually, there isn’t a ton of dialogue in the movie to begin with. I would rate this as being an above average horror movie worth checking out. Most credit is due to those trippy and beautifully composed visuals. There is certainly a lack of character development. Especially in terms of our heroine, Ayia. I found myself wishing I knew more about her. I was rooting for her to succeed, but there was a missed opportunity there. As someone who is super close to her older sister, I have a bias for stories which feature siblings sacrificing themselves in order to save one another. I won’t lie to you, all in all, the plot is a little sparse. However, despite some imperfections, I still liked taking this weird excursion into a nightmare.

Don’t neglect foreign horror movies, my friends! There are plenty of gems to be found out there. Oh, and please don’t ask me to explain the title. I only kind of understand how it relates.

~ Sandra (@LilMsMnstr)

Holidays (2016)

 
 

Horror anthologies have always had a special place in my heart and seemed to make a big comeback with films like ABC’s of Death (2012) and V/H/S (2012). Since then we’ve gotten to see directors, big and small, come together and create some really fun horror tales that otherwise might not have been given the chance to see a feature-length treatment. Over the last year alone we’ve seen holiday-centric anthology films with Tales of Halloween (2015) and A Christmas Horror Story (2015) -- I didn’t forget the wonderfully gory Trick ‘r Treat (2007) but, for the sake of this review, I’m only going off of the last year. This year, a handful of directors in horror decided to come together and create an anthology that covered the majority of the major holidays in the calendar year (but also left out some important ones, as well - but we’ll talk about that later.)

Let's just jump right in, shall we?

Valentine's Day - written & directed by Kevin Kolsch & Dennis Widmyer

Probably one of the least memorable segments for me, Valentine's Day follows Maxine (Madeleine Coghlan), who is relentlessly bullied by mean-girl, Heidi (Savannah Kennick). Her bizarre crush on her swim coach, who happens to be in need of a heart transplant, gives her the push she needs to prove just how much she loves him. It’s completely predictable and unfortunately, it felt like Kolsch and Widmyer didn’t even try on this one. It’s a story we have definitely seen before - the 80’s synth-driven music, the mean girl bullying the meek, quiet girl until she eventually snaps...this isn’t a horror fan’s first rodeo.

St. Patrick’s Day - written & directed by Gary Shore

Elizabeth Cullen (Ruth Bradley) is a school teacher who wishes for nothing more than to have a child of her own. Unbeknownst to her, the quiet, redheaded little girl who refuses to smile will end up making that wish come true - it just might not be exactly what she planned. One of the only humorous segments in the film, this one didn’t take itself seriously at all. By the final minutes, everything was so bonkers and nonsensical that it wasn’t even enjoyable for me and teetered near "WTF" territory.

Easter - written & directed by Nicholas McCarthy

As a young girl is tucked into bed the night before Easter, her mother tells her all children must be fast asleep before the Easter Bunny can come and leave goodies. What worries the girl, though, is the man named Jesus who is supposed to come back from the dead as well. Naturally, she wakes up in the middle of the night and comes face-to-face with something that no child has ever seen before -- and she’s going to pay for it. This segment was the first of several in this film that ended right when the good stuff was happening, unfortunately. It was actually pretty creepy and didn’t do any favors for my Easter Bunny phobia.

Mother’s Day - written & directed by Sarah Adina Smith

Kate (Sophie Traub) has a problem; she gets pregnant every time she has sex. Her doctor suggests she attend a fertility ceremony in the high desert, run by the doctor’s sister. I think we know where this one is going to go…
This was another segment that, despite having a really cool concept, was hindered by an abrupt ending. Some backstory to the women running the ceremonies would have been a nice touch, as well.

Father’s Day - written & directed by Anthony Scott Burns

Carol (Jocelin Donahue) receives a package containing a tape player and a cassette from her deceased father. Recorded years prior, when she was a little girl, her father leaves her directions to a place where she can find him as he’s been waiting for her ever since. One of my favorite segments, it’s a bit heartbreaking. With hardly any dialogue from Donahue, the father’s voice heard through the tape player lends an eerie and dread-filled vibe, amplified by the fact we have no idea where he’s leading her. There were a lot of components that came together in the short amount of time, which made this such a well-done segment. My only gripe is it suffers from another abrupt ending with little to no real answers.

Halloween - written & directed by Kevin Smith

Ian (Harley Morenstein) runs a webcam house where he basically pimps out girls for online sex shows - and he’s a bit of a dickhead. The three girls he “employs” (one played by Smith’s daughter, Harley Quinn Smith) finally decide they’ve had enough of his shit. This was probably the least holiday-themed segment of the entire film. There wasn’t much more than a few background pieces to suggest what time of year it was. As a horror fan, I was pretty bummed about that. We all love Halloween, we expect it to be treated better than that. It did have potential and alllmost seemed like it was going to go in one direction but then tossed that aside and went for a safer bet.

Christmas - written & directed by Scott Stewart

Pete (Seth Green) goes to the extreme to get his son the virtual reality glasses he so desperately wants. The glasses claim to “show you YOU!” What Pete doesn’t realize is that the glasses are serious, and his actions to get the gift come back to haunt him. It’s another one of the shorter and more forgettable segments. It was a cool concept but needed to be fleshed out a bit more. I won’t spoil anything but the segment would have fared better had they shown it from the wife’s perspective.

New Year’s Eve - written by Kevin Kolsch & Dennis Widmyer - directed by Adam Egypt Mortimer

Reggie (Andrew Bowen) is an obsessive killer who winds up on a date with Jean (Lorenza Izzo) after getting a 96% match on a dating site. Though we can only guess what his intentions for her will be, he finds out that hers are much worse, when she brings him back to her apartment. Decidedly better than most of the segments, this is another one that could have benefitted from a couple of extra minutes spent on some backstory. I also am going to need Izzo to play more crazy-lady roles (except Knock, Knock. That was bad.) Oh, and Andrew Bowen, I need him in more horror movies, please.

Overall, Holidays seemed to miss the mark more than not. The segments were quick and to the point for the most part, which was actually a downfall for the majority of them - and I’m annoyed that there was no Thanksgiving segment! Please don’t leave us with Thankskilling for another year! Complaints aside, the score was kickass and the cast, as a whole, was pretty good. I won’t tell you to skip out on Holidays, but I won’t be mad at you if you take your time on giving this one a watch.

~ Stacey-Beth (@TheStaceyBeth)

Stacey was the creepy kid growing up who would bring VHS copies from the video store of Prince of Darkness and Zombie to her sleepovers. Now she's the creepy adult that brings blu-ray copies of Prince of Darkness and Zombie to dinner parties. Fascinated by all things macabre - if it involves the occult and/or true crime, she's in. Currently living in the Hill Country of Texas with her ferocious Yorkie and her husband, she also runs her own horror blog, To Avoid Fainting, where she mostly tries to sound like she knows what she's talking about, while watching scary movies.

Honeymoon (2014) Rated R

Meet Bea and Paul. Two young newlyweds fresh from the aisle and off on their honeymoon. These two are so cutesy and touchy-feely it just may make you ill. They’re spending this blessed event at Bea’s family cabin in the woods. Of course they picked the perfect time of year for it. The lake will be secluded and empty! No one around to bother or bear witness! Well, almost no one. Bea’s childhood friend, Will, and his wife, Annie, are still there during the offseason. It’s just a bit odd because Will seems rather violent and Annie seems kinda traumatized. During the night, Paul accidentally wakes up too early to go fishing. He is shocked to find Bea has wandered from the house for no apparent reason. After a frantic search, Paul stumbles upon her in the woods, naked and visibly shaken. Slowly but surely, Bea’s behavior starts to change. She becomes forgetful, strange, and not quite herself…

That’s as much as I can tell you about the plot before getting into spoilers. Trust me, I don’t want to spoil this one for you! I want you to watch it and enjoy it as much as I did! I found this movie to be a most impressive directorial debut for Leigh Janiak. Fans of Game of Thrones will recognize actress Rose Leslie as Bea. Both she and costar Harry Treadaway give fantastic performances here. With barely any supporting actors to bounce off of, they have tremendous chemistry to carry this movie.

It was fun to follow the story from start to finish since it definitely kept me guessing a couple of times as to what was really going on. It also poses some interesting questions to the audience: What do you do for your partner when their behavior unexpectedly gets weird? Like, really weird and strange? Suddenly, the course of true love isn’t so nice and smooth. Do you stick it out when things get tough? Or do you throw in the towel? Do you try to help them? Or maybe you should just run away screaming?

As I told you before, I highly recommend checking out this movie. It’s a slow burn, it’s subtle, and it’s worth it.

~ Sandra (@LilMsMnstr)